Wise Man's Mirrorless: The Saga Continues
Some at DPR were surprised at the amount of enthusiasm I share for this camera. But they don't know the SD4000.
You can see me here trying to figure out the optics back in October. Afterwards, things got a little bit worse, at least I begun noticing even more issues with image softness. Then I found out that many owners complained about auto-focus and lens softness particularly at wide apertures. A couple of days ago, I've decided to take my camera to repair center and have it carefully examined!
Result? The best $25 I've ever spent. That's approximately a third of the camera value. But my SD4000 is now reborn.
It turned out all my SD4000 needed was LENS CALIBRATION. Canon messed up something at the factory, calibration was done poorly. Maybe they rushed the release of the camera, who knows. Anyway, now that the optics is calibrated in accordance with design charts, here are the latest findings.
The lens is still sharpest at 50mm f4. But now, 28mm f2 looks fantastic, and f2.8 appears to be the best aperture at the wide end. 35mm f2.8 may be just a little bit better. The entire zoom range is now pretty much equal in sharpness, and the lens is best wide open between 35mm and, say, 85mm. There's a pretty good ND filter on board, so using the widest apertures is never a problem. Only at the long end, one needs to step down to f7.1 for a little bit more sharpness. To me, 28mm-50mm is the most important range.
What can I say? I feel like I got myself a new camera... Now I stand behind my words even more firmly: I would use an SD4000 as a professional tool. It's perfect for shooting events, because it's almost completely silent, small, unnoticeable. You get some DoF control, you get f2. I don't need a Sony A9 for silent shooting, and I don't need 100fps to "capture the moment". Some Canon users complained about controls, but that's only because they were used to different models. Everything is quick on SD4000, particularly if you shoot in A, use CHDK AutoISO and the jog dial for Exp. compensation. It's all quick and elegant. With CHDK, this is a professional tool. I even have a lens profile and color profile for Lightroom editing. You can't beat that for the price & size of this thing.
Too many people returned this camera believing it was defective. But all it needed was LENS CALIBRATION done by a dedicated, capable technician.
There are two ultra-compact models which truly stand out: the famous ELPH330 HS/Ixus 255 HS, and SD4000/Ixus 300 HS. You get an ELPH330 if you prefer detail over color & light, if realism is important to you and you want instant results, in JPEG. On the other hand, if you want DSLR-like shooting experience, THE BEST low-light performance and prefer abstract/artistic stuff over realism, you get SD4000. Both are great cameras. Of course, I plan to get an ELPH330 as well, if I manage to find an excellent copy. With the lens perfectly calibrated, I am even more confident in large prints from SD4000 DNGs. I can pull down sharpening, and remove masking completely at the base ISO. Up to 24x16in everything looks pretty good, and even 40x27in is possible, particularly with "artistic" stuff where detail doesn't contribute to the image a lot.
So, if you are having second thoughts about your SD4000 - take it to a good technician. It's quite possible that lens calibration will make it sing.